I was disappointed to read that DPReview is shutting down. Their gear reviews were always comprehensive and well organized. You could drill into the details or jump ahead to the conclusion. A must check before any camera or lens purchase. I hadn’t realized that Amazon had purchased them back in 2007. And now, along with the layoffs, Amazon apparently sees this as another cost cutting move. Too bad.
We spent a month in Lisbon this winter, staying in the Amoreiras neighborhood. The vibe was friendly and relaxed. Lots of great restaurants. Reasonable cost of living. Nice weather. I would recommend it. Oh, and I brought my camera.
I’ve written in the past about the cameras I use for travel and landscape. Generally, I’d use one of the Leica SL’s along with the 24-90 Vario-Elmarit zoom. That setup can handle pretty much any situation as long as there’s sufficient light. I might also throw an L-mount 50mm Summilux into the bag as well for those low light situations. Those are two heavy lenses. And then there are the accessories, batteries, filters, etc. All this is starting to weigh me down as I get older, especially if I want to be reasonably quick on my feet all day and be able to climb or squat for vantage.
So on a recent month-long photography trip to Lisbon and Porto — both notoriously hilly cities — I reassessed my setup, aiming to downsize. I decided on a Leica M-11 and the new 35mm close-focus Summilux, which luckily became available just a week before I left. One camera. One lens. Hopefully a good setup to do some street photography, too.
I usually shoot street with a 50mm but I was open to trying something new with the 35mm.
With the 50mm, my default setting is to open up to f1.4 and zone focus to isolate the subject. That’s always been the style I aim for. It’s a distinctive look. If I need to open my depth of field I would jump up to f5.6 for that scene and then reset back to f1.4.
With the 35mm I reversed things. This approach was more scene-specific rather than subject-specific. This time f8 was my default and I jumped down to 1.4 only when I wanted to isolate a subject or needed more light. A more traditional street photography approach.
This worked well in the alleyways and small streets in and around Lisbon and Porto. I was happy with the images I got. Some were shot wide-open but most were full-in-focus street shots. Every once in a while I came across an irresistible landscape (or cityscape, as below) and this lens and camera combo rose to those occasions as well.
I”m still heavily invested in the SL ecosystem of cameras and lenses, and I still love 50mm, but I have to say the M11 and new 35mm Summilux are just fantastic (and light) photographic tools.
When I get restless I usually grab a camera and head off to one of the many trails in the area. I never really worried about ticks. But apparently sometime in early December I was bitten by a deer tick and infected with something I had never heard of: babesiosis. But I had no idea.
After several days of weakness and high fever I checked in at the local clinic where they advised me to wait and see if it went away on its own. It didn’t. I finally saw a doctor who immediately honed in on babesiosis. He drew some blood and recognized the signs of the parasitic blood infection. It was severe enough that he told me to head right to the ER where they confirmed the diagnosis, admitted me and pumped me with antibiotics over three days. Then another week of home care with more antibiotics. Not a fun month.
Anyway, something to think about when walking on the trails here in Massachusetts, even in early winter.
The Post has a behind the scenes look at the crew running the prospective SPAC/PIPE media empire that is Truth Social. Things haven’t been going all that smoothly recently and there’s a big deadline in December that could put the whole enterprise in jeopardy. Who woulda thunk?
“Listen, I got to live up to the job,” he said. “I got to turn around the economy. I have to make the city safe. I have to educate children and there’s no excuses. It shouldn’t be, ‘Oh, you are a Black man. We’re going to give you a pass.’ No, I don’t want a pass. I’m responsible for that woman being shot today. My job is to make sure she could walk down a block pushing a carriage without being assassinated. I’m going to live up to my responsibility, but don’t stack the deck.
Matt Levine brings us up to speed on Elon Musk’s attempt to get out of the deal he signed to acquire Twitter for $54.20 per share. Musk is obligated to the deal unless he can establish that Twitter isn’t providing important business fundamentals, including the methodology that they used in determining the percentage of bots among the user base. But Twitter can’t open their kimono on that without revealing sensitive private user data to Musk.
Musk’s lawyers say he’d be happy to sign an NDA. Although, as Levine points out, based on Musk’s history it’s not that simple.
If you give him sensitive user data he is just absolutely going to tweet about it, and trusting his promises not to would be dumb. And if he does break his promises, what can Twitter do? Sue him to call off the deal? Twitter doesn’t want to call off the deal. Musk does!
So he wins and the shareholders lose? Maybe, maybe not. But who knows? With Musk nothing is ever a sure bet. In any case, watching this deal evolve is like having a bonus extra season of Silicon Valley to watch.
This past May was a big month for music. Arcade Fire released a new album: We. Some reviewers panned it. Others liked it. I fall somewhere in the middle. One common critique is that the songs sound like repackaged early Bowie. There is an echo of Bowie and, to some extent, Roger Waters. But I like Bowie and Waters. So that’s not necessarily a bad thing to my ears. We may not be completely original or a perfect piece of music but it does have its moments and it certainly is listenable.
There’s also a new album by Wilco – Cruel Country. Twenty one songs. Every single one is a gem. I can’t say enough about how much I’m enjoying this record. I’m still digesting it, but it gets stronger with each listen.
Van Morrison has a new release called What’s it Gonna Take. If there was a way to scramble the lyrics into Gaelic this would be a great album. Good songs, good hooks, good performances. But… Unfortunately, Van has gone off the deep end on the topics of the day. He’s always been a crazy genius. Sadly, as he gets older, the former seems to be crowding out the latter. A musical Ezra Pound for our time.
Steve Earl is back with a tribute to Jerry Jeff Walker titled Jerry Jeff. It’s on rotation. A great performance of timeless songs.
And finally, a couple of other interesting releases; Florence and the Machine’s Dance Fever and Omnium Gatherum from King Gizzard & The Lizard Wizard. Both are worth checking out.
A week or so ago I decided, on a whim, that I wanted to completely redesign this website and move it to a new hosting service. I became frustrated with a few small things and made a snap judgement. I signed up with the first hosting site that I saw. Then I exported/imported all my content (or at least most of it—some of the old images didn’t make it). It all happened pretty fast. Now I only needed to design a whole new site.
I decided to set the new site up using WordPress and installed that. For a theme, I picked Independent Publisher. I spent hours going through the theme files and CSS and then began to tweak the stylsheet in BBEdit to get the design I wanted. (I’m not a programmer, just a tinkerer.) It was great fun, actually. I can be a little obsessive about clean, fast website design and this time around was no exception. Mostly I got I.P. to do everything I wanted it to. (Here’s the custom CSS I added, if you’re interested. (I also made a few minor changes to some of the underlying PHP files (mostly incidental stuff.)))
The old site was blog-centric. I wanted this one to be more photography-centric.
So now, at this point, most of the design and coding is done. There are still some small tweaks that need to be made. But most of the work ahead involves getting the photography page done and organizing photos in Lightroom galleries to link into. Of course, when it’s done I’ll immediately become bored and start to plan something new. Such is life.
